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在济州岛海岸，一群坚毅的韩国海女们奋力捍卫着她们逐渐消失的文化，以对抗迫近的威胁。。Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. (http://www.input2002.com/en/film/24418.html)。陕北山区，四十八岁的拓泉，是方圆百里唯一的一个医生，拓泉家住在横山县南部贫困山区，这里也是革命老区，有名的陕北民歌《横山下来些游击队》就是当年发生在这里的故事。 拓泉家里有八口人，几十亩山地，庄稼的收成全靠天气，年景好的时候还可以过得去，年景不好时庄稼几乎无收，人们惧怕的不是贫穷，而是怕生病，怕看病，看不起病，唯一让老百姓欣慰的是他们这有拓泉这样的医生，生活中常常是拓泉正在地里做农活的时候就有人来叫看病，拓泉放下农活，骑上摩托车就走了，有时很晚才回来，有时到第二天、第三天才回来，碰到看不了的病，拓泉就陪着病人的家属亲戚把病人送到几十里外的县医院，甚至连生孩子有时没办法拓泉也得去，二十多年如一日，拓泉走遍了家乡的山山水水，不知道给多少人看好了病，也送走了多少年老而终的老人，对无可救药的病人，拓泉更像是尽职的牧师，让病人的家属在心里上能有安慰，这就是拓泉...。