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视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。故事從創造兩個量子人工智能Kuro 和 Shiro開始：柯博士打造出兩名量子Al黑子與白子，是為了讓他們陪伴博士的漸凍人兒子一起成長。在歷經了Q18的五個單元故事之後，黑子白子逐漸學會了人性，並演化出意識與感情。他們也透過連結量子電腦與人腦，幫助漸凍症少年擄獲了愛情與友誼。 但就在這美好的烏托邦來臨時，博士卻認為科技已經失控，決定親手毁滅掉黑子與白子⋯⋯。