视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。5岁的伯拉特姆和父母、两个哥哥一个姐姐生活在一起。他性格开朗,人小鬼大,总是不断地给家长制造麻烦。尤其是对于邻居杂货店的老板,那是最让伯拉特姆厌烦的家伙。因为他鄙视伯拉特姆失业在家的父母,在妈妈没有带够零钱的时候,他对妈妈除了冷淡就是嘲笑。伯拉特姆决定给杂货店老板一点厉害看看,但他玩得有点过火了,受伤后的杂货店老板竟然找来警察解决问题。 爸爸找到了一份给大厦擦玻璃的工作,这突如其来的喜讯让全家人欢呼雀跃。但经过研究合同,大家发现爸爸被大厦的负责人斯密特经理骗了。爸爸得到的所谓巨额的薪水实际上不过是公司提供的一项贷款,两年之内伯拉特姆的家要偿还公司高出一倍的利息。面对如此大的经济压力,全家人陷入沮丧中。 大家意外的发现杂志上刊登出斯密特经理要花10万元购买中东地区一位小王子的钻石,摆在大厦中以吸引客流。无奈之下,一家人决定铤而走险,让伯拉特姆假扮王子,...。
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